Screenprints for the spring

I found myself hugely enthused by the Winter Olympics this year, particularly the Big Air and other snowboarding events. The mid air acrobatics were awe inspiring so I set up my camera in front of the Tv and then used some of the photos to create Screenprints. I am screenprinting in the old fashioned way: I reduce my photo to three or four tones, then cut a paper stencil for each of the colours. The tricky part is making the four screens register perfectly on top of each other – just a few mms out and it is spoiled. I have found making them quite compulsive and once I started I found I couldn’t stop! I have Open Studios (known in this part of the world as Oxfordshire Artweeks) coming up in May where I am exhibiting in Littleworth, just outside Faringdon so it will be nice to have a completely new set of work to put on display. I have attempted to set up a new Gallery in My Gallery called Screenprints to show off the new pieces – so far without success, but hopefully I will crack it in the end. Technology heh! I will add a couple of the pics here as a teaser while I sort myself out! Happy Easter!

Printmaking autumn blues

Does anybody else get a little dissatisfied – a little disappointed – I am struggling for the right word…at this time of the year? Feeling a little bit aimless, not sure where I am going or what is the actual point of all this? It is partly I think because, other than the odd Workshop, I don’t have any deadlines ahead. In an attempt to give myself a bit of an aiming point I have entered work into a couple of the national competitions – which also carries danger if you are feeling slightly fragile about your work, as rejection is more likely than acceptance! At least I recognise this as a cycle and more to do with the time of the year, the melancholy of heading into autumn and winter without having had a decent summer.
Well, so what have I been doing for the last couple of months artwise? It is a great weakness of mine that I get easily seduced into new skills and screenprinting has been my latest indulgence. I have kept to screenprinting with stencils as I don’t have the equipment necessary to get involved in photo sensitive screens just yet but I have absolutely loved working at this new medium.

Screenprint of fish

Helen Pakeman
Screenprint

screenprint Helen Pakeman

Screenprint Helen Pakeman


There is something delicious about the smoothness of finish you get from screenprint – it is so crisp an edge after the looseness of monoprint. Speaking of which I am revisiting the large portraits of refugees etc which I worked on a few years back. They were quite intense so I needed a break for a period but I do find them engrossing. In fact I have entered a couple of them in the Monoprinting Masters competition run by Royal Society of Painter Printmakers – wish me luck and I will let you know how I get on.