Back at work!

monoprint with drawing

monoprint with drawing


Monoprint with drawing

Finally I have got back into my studio and started printing – feels great to be back.  So I thought I would update with a couple of examples that I am working on.  I have been looking at Ben Nicholson among others and really enjoy the way he uses line, and different viewpoints so have been experimenting with that.  They are, I suppose, monotypes rather than monoprints but that is quite a technical difference.  We have quite a crop of apples, and gourds from the garden this year and autumn feels like an appropriate time for these sorts of colours.

What else has been going on?  Well, if you subscribe to ‘Artists and Illustrators’ then check me out as I wrote the ‘star letter’ which resulted in a lovely voucher for £50 for art materials.  Decided that maybe I should abandon art as a career and just write letters to magazines!  I have nothing booked up in the way of exhibitions till next May when we do Artweeks but that always requires a lot of new work, and, in addition, publicity photos need to be in before Christmas!  I have another biggish exhibition in October 2015 in New Brewery Arts Cirencester, which feels like a long way off but, again, will require all new work, so I really do need to start getting serious.


Monoprints, linoprints, digital prints, giclee prints: time for a new description?

The word ‘print’ is becoming increasingly unclear.  You can no longer describe something as ‘a print’ without qualifying it and it must be really confusing to the general public when it comes to the art world.  Is there any way round it?  I would be interested to get some feedback as to what other people do and say.

Monoprints are the worst of all as the very word ‘print’ implies a number (limited or otherwise) and mono is its contradiction.  It is original and a print, and unique.  Linoprint is original, and a print and unique but you can make a number of them which are nearly the same…so not quite so unique… I sometimes tie myself in knots and watch people’s eyes glaze over in the meantime!  Because of the ease of making digital prints the word has become devalued in art terms of lino and woodcuts; we need a new word which applies solely to ‘prints’ where a finite number applies.  And then there are Giclee prints…OMG!

New Year – new start – new printing press!

etching-pressHappy New Year to everybody!  Well nearly…this year is definitely going to be better than the last – I love new beginnings, full of promise and before it all gets spoiled by the rubbish that real life throws in your path.

This December I have finally bought myself an etching press, something for which I have been yearning for quite a few years!  It is a Polymetaal and the bed is 40cm x 80cm.  The reason I chose this is because I can use it for either relief (ie linoprint) or intaglio (etching).  It is going to make such a difference to the work I can do at home – even monoprinting can be done differently with a press.  In honour of its arrival I have cleaned out my studio room (!!!) and actually thrown away some stuff.  I think it is in the nature of artists to be hoarders and also I find people often give me stuff – does that happen to the rest of you?  I suppose the sensible answer would be to refuse but that is never going to happen.  So my studio is spruced up and tidy, my etching press is in place and, first thing when Intaglio reopens in January  I am going up to buy a few essential supplies such as blotting paper, blankets and so forth.  In the meantime I just go in and turn the wheel now and then a little wistfully.  It is waiting…