pure white line woodcut
Just a very quick post as I am a bit swamped with work but just wanted to let the world know that I have two pieces of work selected for the National Original Print Exhibition in Bankside, London. I am really excited as I entered 4 prints for selection and had 2 accepted – competitions are such a lottery that one is always braced for rejection! Both pieces are white line woodcut and maybe the novelty of that process helped – I feel like I am operating a one woman revival of white line woodcut!
This is one of the prints that was accepted and I rashly said I had an edition of 8 so when the print got in I had to speedily make the edition before I lost sight of the original. Hey ho! So, the Exhibition is on from 21 September til 2 October and is just below Tate Modern (next venue?) so if anyone is in London please do pop in and let me know what you think.
Meanwhile I am offering Workshops in White Line Woodcut – one in October in Faringdon so get in touch if you are interested.
Gotta go now…fish to carve, people to see…
Just before Christmas I discovered a form of printing that was quite new to me – White Line Woodblock. I thought I would do a post about it because it is really low tech and could easily be done on the kitchen table which makes it beautifully accessible to anyone.
It was dreamed up in America in 1915 as a way of getting multi-coloured prints from a single woodblock, using watercolour. There is a good explanation online at www.barenforum.org so I won’t go into too much detail, other than to say that they fix the paper with screws and I do it with masking tape (pic below): sorry it is a little indistinct but it is japanese paper, hence you can see the woodcut underneath and is attached on the left side.
demo to attach paper
Key top tips I have learned so far:
- damp the wood before applying the watercolour.
- Use a paper that is absorbent, not watercolour paper. Blotting paper works really well, interestingly.
- apply thin layers of colour, working from light to dark. Depending on the effect you want, let the paper dry in between applications.
- Plywood woodblocks are very adequate, and don’t forget you can use both sides (but not at once!)
- Because you are working on one section at a time you can apply as much colour as you like. Go mad!
There are surprisingly few artists working in white colour woodblock. I think it has huge possibilities especially if combined with monoprint for example. I have attached a few of my efforts just to give an idea of the kind of variety of effect that can be achieved.
pure white line woodblock
Potato print with feathers
So…I decided in 2016 I would start by drawing every day…good discipline, improve my observational skills, blah blah, and I am proud to tell you that so far I haven’t done a single drawing!! So already I am carrying guilt about failing so abysmally! Why do we do it to ourselves?
potato print with feathers – he looks so cross!
Apart from that I have a good feeling about 2016. I am resolved to do some new stuff, broaden my horizons, take some risks.
Apart from not-drawing I have been fiddling around with making cards – it is fun and lightweight and provides me with bread and butter to finance the more serious stuff. Looking in my accounts for last year I find that I sold as much in cards as I did in paintings and the cards have minimal outlay compared to framing and materials costs. A bit of an eyeopener! So I have just put together a new range of potato prints of birds which I think are quite cute – I have certainly had fun making them so now I must take them round a few outlets and see if I can widen my reach.
Last year I also started teaching and found, much to my surprise, that I really enjoyed it. I gave lino printing workshops for small groups, and on an individual basis and people produced some great work. I will get together a specific post and put some pics of their work once I have checked my students are happy for me to do so.
Meantime, Happy New Year to all. Let’s make it a good one!
publicity for October Exhibition at CIrencester
Well, it has been quite a summer with a great deal going on, not much of which has allowed me precious time in my studio. Bits of work have gone into various exhibitions, most recently been Oxford Art Society’s show in September. However, now Emma and I are gearing up for our Pop Up exhibition in Cirencester which we hang on Monday. I am at the stage of making lists and gathering heaps of things I must remember to take. This should be a new audience for us so it will be interesting to see how we are received. We have to man this one ourselves so have divided up the two weeks between us – anyone wanting to come and see one of us, please get in touch to find out who will be there which days. Wish us luck!