Unique Screenprint part of a series on migration
I have always found entering some of the many Open Competitions to be a good way of giving myself a goal. And to make myself finish work if I am being a bit diletttante. It provides a new audience and who knows what might come of it.
So, this autumn I entered some pieces of work for various competitions including Bristol West of England Academy, Royal Society of Printmakers The Masters, and Oxford Art Society. And guess what – I got pieces accepted by all three. I must be on a roll.
As we all know, entering Open Competitions is a bit like playing the Lottery. There are so many factors governing the choice of work which have nothing to do with the quality of your entry. Does it fit with the other choices ie how will the hang look overall? How many entries were there? What percentage of new and emerging artists do they want? And, as with all art, it often comes down simply to the taste of the Curating Artist.
Knowing this does not stop it being desperately depressing when another kind rejection email pops into the box. Thus I was braced for disappointment but determined to give it a go. I felt my latest series of work had merit so time to get it out there. Imagine my delight when it was accepted by all three. Happy days!
Unique screen print part of series on Migration
I found myself hugely enthused by the Winter Olympics this year, particularly the Big Air and other snowboarding events. The mid air acrobatics were awe inspiring so I set up my camera in front of the Tv and then used some of the photos to create Screenprints. I am screenprinting in the old fashioned way: I reduce my photo to three or four tones, then cut a paper stencil for each of the colours. The tricky part is making the four screens register perfectly on top of each other – just a few mms out and it is spoiled. I have found making them quite compulsive and once I started I found I couldn’t stop! I have Open Studios (known in this part of the world as Oxfordshire Artweeks) coming up in May where I am exhibiting in Littleworth, just outside Faringdon so it will be nice to have a completely new set of work to put on display. I have attempted to set up a new Gallery in My Gallery called Screenprints to show off the new pieces – so far without success, but hopefully I will crack it in the end. Technology heh! I will add a couple of the pics here as a teaser while I sort myself out! Happy Easter!
Does anybody else get a little dissatisfied – a little disappointed – I am struggling for the right word…at this time of the year? Feeling a little bit aimless, not sure where I am going or what is the actual point of all this? It is partly I think because, other than the odd Workshop, I don’t have any deadlines ahead. In an attempt to give myself a bit of an aiming point I have entered work into a couple of the national competitions – which also carries danger if you are feeling slightly fragile about your work, as rejection is more likely than acceptance! At least I recognise this as a cycle and more to do with the time of the year, the melancholy of heading into autumn and winter without having had a decent summer.
Well, so what have I been doing for the last couple of months artwise? It is a great weakness of mine that I get easily seduced into new skills and screenprinting has been my latest indulgence. I have kept to screenprinting with stencils as I don’t have the equipment necessary to get involved in photo sensitive screens just yet but I have absolutely loved working at this new medium.
Screenprint Helen Pakeman
There is something delicious about the smoothness of finish you get from screenprint – it is so crisp an edge after the looseness of monoprint. Speaking of which I am revisiting the large portraits of refugees etc which I worked on a few years back. They were quite intense so I needed a break for a period but I do find them engrossing. In fact I have entered a couple of them in the Monoprinting Masters competition run by Royal Society of Painter Printmakers – wish me luck and I will let you know how I get on.
Life seems to be unusually busy at the moment and I feel like I am splitting myself in several directions at once. Projects, workshops and lampshades, I will explain…
I have an exciting project on the go which is a collaborative venture. One of the biggest challenges with working as an artist is that it can be quite solitary, and unless you have a deadline, it is very easy to get sidetracked (into lampshades etc see below). So, together with a friend, Naomi, we have decided to work on a project together. We are both very interested in the subject of ‘memory’. Everyone can have a distinct memory of the same event and it be quite different, and although you think you remember clearly, actually there are often gaping holes. Intriguing! So that is our starting point; we are going to travel with it and see where we arrive.
Meantime I am embracing teaching as I have so much enjoyed it. I have been asked by the Craft Barn in Lechlade to do a White Line Woodcut Workshop for them in April and hope to increase that side of things in 2017. White Line Woodcut and Monoprint would be my favourite ways of working I think although I have booked up for a week learning Screenprinting at West Dean in January. My treat to me!
At the same time I had a good idea (!) which involved using old embroidered tablecloths to make lampshades and/or quilts – I have started with lampshades as they are smaller and they are, of necessity, a bit frilly but quite pretty I think – below a couple of examples – what do you think? If I am going to run with this then I need to access cheap tablecloths – the irony is that everybody’s aunty has a shelf somewhere full of them, often teastained (which doesn’t matter to me) but how to get hold of them? The second problem is how to access a market for them. The trouble, as usual, is that I really like making things, and then lose interest a bit when it comes to trying to sell them. What I need is an agent…or perhaps I should investigate Etsy?